SB19 Moonlight Music Video honest review, hit or a miss?

First word: Satisfying!

Especially when I saw the 1zone entertainment, it set the identity. This video, if you look at it, used the most boring palettes like dull grey. They were wearing super plain clothes, totally opposite to their color schemes, as if to say that even if you remove all of the bursting colors and effects, the power will stay — because even in this diluted, simple look, the talent shines! I read it from some of the A’Tin comments, and it’s described perfectly that SB19’s “Moonlight” is indeed a cultural reset, a revolution in the music industry — it’s not just here in the country, it’s a signal that they are crafting music with the rest of the world in mind as well.

We are not in competition; instead, we are in collaboration. So for sure, of course, my interpretation here is that this is just the beginning. As you see, they are still inside the box, or the cue, trying to conform to what the world music is used to — but they are liquid, and eventually, they will take on any shape and influence that. So SB19 is doing what it takes — it’s not easy to break out and to get a stake out there, but finally, Pinoy artists are beginning their steps. So SB19 and Pinoy Pop will evolve a lot more, and following them on this journey is going to be well worth it, so we have to continue praying for them and sending them good energy.

I read some of the netizens’ reactions to the MV, and I have to agree, it’s very avant-garde. I super love the simplicity, clean aura, but smooth dance moves — it was satisfying to see. And their poker face effect really gives this music video an edge, fitting with the vibe of the song. And while we have a long way to go to Coachella, this is definitely going to pave the way for it, so it’s really a collective effort, A’Tin. And mind you, special congratulations to Justin for being the creative director — it’s not easy to conceptualize things like this, but I have nothing to say, it was clean, and I saw lovely symbols like the merkaba, perfect symmetry. And while yes, this song is definitely catering to mainstream vibes, there’s a reason for that — you need to conquer the airwaves and taste first, and then after that, they will gain more freedom in giving us variation, as they are able to express this too in their individual projects like Ken, in his songs “Palayo,” “Fake Faces,” etc.

Again, I loved everything, the execution was top-notch, this is definitely going to be seen in a number of choreographies. I see students who will practice and incorporate this in their cheering, intramural programs, all kinds — I see how this will become part of our culture and not just ours but the rest of the world, so great job! To God be the glory! SB19 and A’Tin.